First, the dye is applied to a sheet of paper. The sheet is then folded into a prism, which is exposed to the sun over a period of weeks or months. The faces on the prism that receive the most sunlight fade dramatically, while those that remained largely in shadow remain a vivid green. The paper is then unfolded to reveal the finished gradation.
As the title hints, it is the prisms themselves that create the shadows, but the factors that cause the resulting gradations are not easy to imagine when the sheet of paper is unfolded and displayed as a flat work. This series is a pointed reminder that our way of comprehending existence unavoidably becomes multifaceted through environment and circumstance.
First, the dye is applied to a sheet of paper. The sheet is then folded into a prism, which is exposed to the sun over a period of weeks or months. The faces on the prism that receive the most sunlight fade dramatically, while those that remained largely in shadow remain a vivid green. The paper is then unfolded to reveal the finished gradation.
As the title hints, it is the prisms themselves that create the shadows, but the factors that cause the resulting gradations are not easy to imagine when the sheet of paper is unfolded and displayed as a flat work. This series is a pointed reminder that our way of comprehending existence unavoidably becomes multifaceted through environment and circumstance.
First, the dye is applied to a sheet of paper. The sheet is then folded into a prism, which is exposed to the sun over a period of weeks or months. The faces on the prism that receive the most sunlight fade dramatically, while those that remained largely in shadow remain a vivid green. The paper is then unfolded to reveal the finished gradation.
As the title hints, it is the prisms themselves that create the shadows, but the factors that cause the resulting gradations are not easy to imagine when the sheet of paper is unfolded and displayed as a flat work. This series is a pointed reminder that our way of comprehending existence unavoidably becomes multifaceted through environment and circumstance.
First, the dye is applied to a sheet of paper. The sheet is then folded into a prism, which is exposed to the sun over a period of weeks or months. The faces on the prism that receive the most sunlight fade dramatically, while those that remained largely in shadow remain a vivid green. The paper is then unfolded to reveal the finished gradation.
As the title hints, it is the prisms themselves that create the shadows, but the factors that cause the resulting gradations are not easy to imagine when the sheet of paper is unfolded and displayed as a flat work. This series is a pointed reminder that our way of comprehending existence unavoidably becomes multifaceted through environment and circumstance.
At middle garden, Eugene Museum in Bali
First, the dye is applied to a sheet of paper. The sheet is then folded into a prism, which is exposed to the sun over a period of weeks or months. The faces on the prism that receive the most sunlight fade dramatically, while those that remained largely in shadow remain a vivid green. The paper is then unfolded to reveal the finished gradation.
As the title hints, it is the prisms themselves that create the shadows, but the factors that cause the resulting gradations are not easy to imagine when the sheet of paper is unfolded and displayed as a flat work. This series is a pointed reminder that our way of comprehending existence unavoidably becomes multifaceted through environment and circumstance.
At middle garden, Eugene Museum in Bali
First, the dye is applied to a sheet of paper. The sheet is then folded into a prism, which is exposed to the sun over a period of weeks or months. The faces on the prism that receive the most sunlight fade dramatically, while those that remained largely in shadow remain a vivid green. The paper is then unfolded to reveal the finished gradation.
As the title hints, it is the prisms themselves that create the shadows, but the factors that cause the resulting gradations are not easy to imagine when the sheet of paper is unfolded and displayed as a flat work. This series is a pointed reminder that our way of comprehending existence unavoidably becomes multifaceted through environment and circumstance.
First and foremost, I am sincerely grateful for this wonderful opportunity in such a truly beautiful place as Bali, Indonesia, at the foot of a World Heritage Site. Visiting Indonesia and engaging with friends there has been a true joy. I would like to thank the people who have said they wanted to make it a permanent museum, and those who committed to the realization.
This museum will be open to all generations. It is a great honor for me to see my works and solo exhibitions go beyond the framework of a touring exhibition and become a permanent museum.
First and foremost, I am sincerely grateful for this wonderful opportunity in such a truly beautiful place as Bali, Indonesia, at the foot of a World Heritage Site. Visiting Indonesia and engaging with friends there has been a true joy. I would like to thank the people who have said they wanted to make it a permanent museum, and those who committed to the realization.
This museum will be open to all generations. It is a great honor for me to see my works and solo exhibitions go beyond the framework of a touring exhibition and become a permanent museum.
First and foremost, I am sincerely grateful for this wonderful opportunity in such a truly beautiful place as Bali, Indonesia, at the foot of a World Heritage Site. Visiting Indonesia and engaging with friends there has been a true joy. I would like to thank the people who have said they wanted to make it a permanent museum, and those who committed to the realization.
This museum will be open to all generations. It is a great honor for me to see my works and solo exhibitions go beyond the framework of a touring exhibition and become a permanent museum.
First and foremost, I am sincerely grateful for this wonderful opportunity in such a truly beautiful place as Bali, Indonesia, at the foot of a World Heritage Site. Visiting Indonesia and engaging with friends there has been a true joy. I would like to thank the people who have said they wanted to make it a permanent museum, and those who committed to the realization.
This museum will be open to all generations. It is a great honor for me to see my works and solo exhibitions go beyond the framework of a touring exhibition and become a permanent museum.
Eugene Museum in Bali
First and foremost, I am sincerely grateful for this wonderful opportunity in such a truly beautiful place as Bali, Indonesia, at the foot of a World Heritage Site. Visiting Indonesia and engaging with friends there has been a true joy. I would like to thank the people who have said they wanted to make it a permanent museum, and those who committed to the realization.
This museum will be open to all generations. It is a great honor for me to see my works and solo exhibitions go beyond the framework of a touring exhibition and become a permanent museum.
Andra’s studio in Jakarta, 2024
First and foremost, I am sincerely grateful for this wonderful opportunity in such a truly beautiful place as Bali, Indonesia, at the foot of a World Heritage Site. Visiting Indonesia and engaging with friends there has been a true joy. I would like to thank the people who have said they wanted to make it a permanent museum, and those who committed to the realization.
This museum will be open to all generations. It is a great honor for me to see my works and solo exhibitions go beyond the framework of a touring exhibition and become a permanent museum.
Eugene Museum in Bali
First and foremost, I am sincerely grateful for this wonderful opportunity in such a truly beautiful place as Bali, Indonesia, at the foot of a World Heritage Site. Visiting Indonesia and engaging with friends there has been a true joy. I would like to thank the people who have said they wanted to make it a permanent museum, and those who committed to the realization.
This museum will be open to all generations. It is a great honor for me to see my works and solo exhibitions go beyond the framework of a touring exhibition and become a permanent museum.
Andra’s studio in Jakarta, 2024
First and foremost, I am sincerely grateful for this wonderful opportunity in such a truly beautiful place as Bali, Indonesia, at the foot of a World Heritage Site. Visiting Indonesia and engaging with friends there has been a true joy. I would like to thank the people who have said they wanted to make it a permanent museum, and those who committed to the realization.
This museum will be open to all generations. It is a great honor for me to see my works and solo exhibitions go beyond the framework of a touring exhibition and become a permanent museum.
